Wednesday, 24 August 2011

THE INBETWEENERS MOVIE (2011) - 4 STARS

"This summer four boys become men"


Alright benders, it's been a rather exciting summer for film with boy wizards, robots, superheroes, aliens and apes causing havoc but now it is the turn of four holidaying lads from a Channel 4 TV show to produce the biggest craziness this year as the popular Inbetweeners series makes it to the big screen with a bang (or a hard-on as one of them would say)! Most British sitcoms have attempted the transition of small screen to big screen with some disappointing results e.g. Dad's Army, Kevin and Perry; but thankfully the team behind Inbetweeners have created possibly the best TV to film-adapted sitcom in British culture thanks to a humorous plot with many highs and lows for the four deluded but much loved lads who over the past 3 years have made us laugh and cringe at their awkward and ridiculous antics. So sit back 'fwiends' and pack your wellies for this latest film outing which looks likely to be the funniest film of the year....


For those unaware of the successful TV series, it focuses on four lads; spectacle-wearing intellectual Will (Simon Bird), sex-obsessed bull-shitter Jay (James Buckley), dopey but good-natured Neil (Blake Harrison) and unfortunate, love-torn Simon (Joe Thomas) who all get up to various antics when it comes to fun and girls only to get into embarrassing and awkward situations whether it involve throwing a frisbee at a disabled person or punching a fish to death or vomiting in a tent, the list goes on! In the film's plot itself, the lads decide to go on holiday to Malia after finishing school to forget about their recent troubles with Simon depressed over his recent split with long-term conquest Carli (Emily Head whose father Anthony pops up in the film's first scene as Will's dad). Wearing sex-quote t-shirts, the lads arrive in Malia to find themselves staying in an appalling hotel but fortunately there is plenty of booze and women to go round. They soon encounter a quartet of holidaying girls who each link up with the lads (only threw Neil's robotic dancing) and like them, have different personalities with Jay being left with the 'fat' one and Will getting the attractive blonde Allison (Laura Haddock). Simon's love for Carli becomes more clear when she turns up in the same area affecting his own involvement with one of the girls, Lucy (Tamia Kari) who develops feelings for him. In the meantime the lad's troublesome moments catch up with them on holiday with hilarious results including Jay getting owned by a 9-year old boy AND an ants nest, Neil flirting with several ugly women and the lads coming across a rather mean holiday rep who threatens to ruin the fun (though some vile revenge does the trick). A party-boat outing in the final act provides the intrigue of whether the lad's destiny (and potential clunge) awaits them....

The film (just like the show) gives each character their own problems and triumphs as it goes on and as we expect, some very embarrassing moments and cracking one-liners (Dog-God). The credit has to be given to the writers Ian Morris and Damon Beesley who wrote the show as well. This is more then just a spin off from the show, it is a uplifting tale for the four boys with plenty of laughs (Neil's robotic dance scene for example is just hysterical). A common criticism of feature movies developed from sitcoms is that they are only presented like an extended episode of the TV series though given the various sub-plots on the holiday, it would look like a trio of episodes but set in Malia (though actually filmed in Magaluf). This however doesn't diminish the pacing of the film with the scenes in England moving quick such as the (final) appearance of Rudge Park School with Greg Davies making a brief cameo as the disgruntled and arrogant Head of 6th Mr Gilbert. The rest of the cast do a top job with Bird, Buckley, Harrison and Thomas all continuing to contribute their own skills as their characters in what could be their last hurrah together. Buckley just about gets the most credit for some of the situations which Jay gets himself in but there is some subtly in his performance as evident in the fall-out scenes between the lads. The female newcomers including Haddock and Kari do well proving that unlike other female Inbetweeners characters like Carli and Charlotte, they actually don't come across as stuck-up or bitchy but a lot more comforting. It is also nice to see the lad's parents plus Big John and Donovan pop up to add some continuity to the film after their important roles in the popular series.



Like the case with most films this summer, this is yet another film let down by a rather sloppy ending which seems to rush through when the credits come along. Not much is rounded off properly despite the lads getting their happy endings though there are still some sniggering parts to chuckle at in the credits. The most frustrating on-screen relationship in TV history between Simon and Carli drags on and on with little in the way of a rewarding conclusion as we seem to have spent three series waiting for the two to finally get together though clearly that wasn't going to be the case after all which is frustrating especially when you watch the series every once in a while. Plus you get perhaps one of the most pointless and random characters to appear in a couple of scenes who doesn't add anything major to the film's plot. Fortunately there are enough other characters to keep us entertained throughout.

VERDICT: Something tells me that the Inbetweeners isn't quite finished yet, though as hilarious as the film is, the ending leaves a lot to be desired. Other than that, it's about time a sitcom made it to the big screen and made us laugh, this certainly did the job and hopefully the 'fwiends' can experience one last outing to completely round off their story. Later benders!

Sunday, 21 August 2011

RISE OF THE PLANET OF THE APES (2011) - 4 STARS

"Evolution becomes Revolution"


When Tim Burton's remake of the sci-fi classic Planet of the Apes was critically panned 10 years ago, it seemed like the franchise had ruined itself and that it would only be remembered for its classic original and its poor remake. However when news of a reboot to the series was announced last year, there were more groans with people believing that trying to recreate it from scratch would only distill the memory of the first film. However RISE OF THE PLANET OF THE APES has completely surprised many including myself as one of the unlikely hits of the year thanks to its cracking cast, stunning visual effects and a well told story that cleverly reveals how the apes come into power and the emotions they go through getting there.


Will Rodman (James Franco) is a hard-working scientist who makes a major breakthrough in human technology by creating a special drug that could be the cure for Alzheimer's Disease. He decides to test the drug on a group of chimpanzee's to find out if it increases intelligence as well as repair cells in the brain. However one of the chimps gets loose in the building and ultimately put down but it turns out that she had just given birth to a baby chimp who inherited this new altered gene. Will decides the only moral thing to do is to take the baby home but once he finds out that it has the intelligence of a human child twice it's age he decides to raise the chimp with his Alzheimer's-suffering father Charles (John Lithgow). Over the next few years, the ape (named Caesar) starts growing and adapts more like a human even feeling the emotions of whether he is being treated like a pet or not. This drives him to attack one of the neighbours leading to Will having no option but to place him in an ape sanctuary owned by sneering John Landon (Brian Cox) and his cruel son Dougie (Tom Felton). Caesar initially struggles to be accepted by the other apes but once he steals the human-drugs from Will and uses them on his primate friends, they join forces with him to plot their escape from the sanctuary and declare war on the humans in the area. Will and his girlfriend Carol (Frieda Pinto) must try and save the apes as the armed forces threaten to overpower them in the battle for primacy....


The very surprising thing about this film is how story and character based it really is. 
All character motivations are shown throughout the film not just for the apes but the humans too with Franco does well enough in a role destined to be sidelined by the apes despite recent criticisms over his smug attitude off screen as we really connect with his character and his the best intentions in trying to use the curing drug to help his onscreen father. John Lithgow also excels as Franco's father who goes through the trauma of having such a tough illness to cope with and it is to the production team's credit of getting a man of such underrated experience to contribute here while British actor David Oyewolo shows some potential as Will's greedy boss Jacobs. The one thing that always made the Planet of the Apes films a bit campy were actors in make up and monkey suits. But it is here where technology, specifically the use of motion- capture technology as seen in Avatar, can almost single-handedly justify revisiting an old franchise. This of course works out for the character of Caesar who is the true star of the film. He cannot talk plus he is a computer-generated image and yet you really understand and feel for him as Andy Serkis brings so much to the character having played the same type of role as Gollum in the Lord of the Rings trilogy and King Kong. He breathes so much personality into this ape and it's just truly something to wow at as the story shifts to him. It's the subtle stuff here that makes a difference such as the emotions captured in Caesar's facial expressions, or the glint of sympathy in his eyes. Director Rupert Wyatt follows blockbuster blueprints from beginning to end, but by placing the first three-quarters of his film with character development and an actual story, before presenting us with the big action sequence at the end, allowing us to be invested in what's happening. Fans of the original Planet of the Apes film will also take great pleasure in subtle references to the film whether it be a model of the Statue of Liberty or a nod to one of the film's most lauded quotes in a key scene. The ending itself cleverly reveals just how the ape's rising comes into focus through a virus that sets itself up for a potential sequel.


Though the cast is strong, Freida Pinto's character is poorly-written with no specific purpose but to be Franco's love interest which is typical for a blockbuster but there isn't really a strong purpose for her in it despite her stunning beauty. Likewise the boo-hiss roles of Cox and Felton (playing a very similar character to his Draco Malfoy from the Harry Potter films) who are typical cliches included to push the apes on the brink of their mutiny with their cruel characters. The cliches are there for other parts of the film mostly for the humans while the scientific aspect can be somewhat misleading with how science is presented here. Also audiences will be slightly frustrated with the lack of action as released in one of the trailers as there will be a few impatient viewers who don't embrace the emotional arc of the film, instead hoping for a lot of explosions but that doesn't come into context until the film's final half hour.

VERDICT: Like Batman and X-Men, Planet of the Apes is reborn with a bang, as the visual spectacle of the apes and the character driven plot makes it a welcome hit that overshadows most of the other 'big' blockbusters. A sequel surely is on the cards now, as we await those dirty great apes take complete control of Earth....

Friday, 19 August 2011

CRAIG'S TOP 10 GENRE SERIES - WESTERN

Westerns are the major defining genre of the American film industry, a nostalgic eulogy to the early days of the expansive, untamed American frontier. They are one of the oldest, most enduring and flexible genres and one of the most characteristically American genres in their mythic origins.”


#1. HIGH NOON - 1952
Director: Fred Zinnermann
Starring: Gary Cooper, Grace Kelly, Lloyd Bridges


#2. THE GOOD, THE BAD AND THE UGLY - 1966
 Director: Sergio Leone
Starring: Clint Eastwood, Lee Van Cleef, Eli Wallach


#3. STAGECOACH - 1939
 Director: John Ford
Starring: John Wayne, Andy Devine, Thomas Mitchell


#4. ONCE UPON A TIME IN THE WEST - 1968
 Director: Sergio Leone
Starring: Charles Bronson, Henry Fonda, Claudia Cardinale


#5. UNFORGIVEN - 1992
 Director: Clint Eastwood
Starring: Clint Eastwood, Morgan Freeman, Gene Hackman


#6. SHANE - 1953
Director: George Stevens
Starring: Alan Ladd, Jean Arthur, Van Heflin


#7. THE SEARCHERS - 1956
 Director: John Ford
Starring: John Wayne, Jeffrey Hunter, Natalie Wood

#8. TRUE GRIT - 1969
Director: Henry Hathaway
Starring: John Wayne, Glen Campbell, Kim Darby, Robert Duvall


#9. BUTCH CASSIDY AND THE SUNDANCE KID - 1969
 Director: George Roy Hill
Starring: Paul Newman, Robert Redford, Katherine Ross


#10. THE MAGNIFICENT SEVEN - 1960
 Director: John Sturges
Starring: Steve McQueen, Yul Brynner, Charles Bronson

Howdy partners, my final list of this genre series ends with the Western category which itself was hard to churn out a solid group of films but I got there in the end. High Noon just clinched this ahead of Good, Bad....which was a hard choice to make but it had to be done. In fact 3rd place was even harder to predict but I just felt Stagecoach was the better film, but this is still an impeccable list though plenty of these films will get several re-views anyway.


It's been a pleasure presenting my Top 10 Genre series and now I hope to finally piece together my Top 100 Heroes AND Villains lists which I expect will get a lot of opinions. Speak to you all soon!

Wednesday, 17 August 2011

CRAIG'S TOP 10 GENRE SERIES - WAR

War films are a film genre concerned with warfare, usually about naval, air or land battles, sometimes focusing instead on prisoners of war, covert operations, military training or other related subjects. At times war films focus on daily military or civilian life in wartime without depicting battles.


#1. SAVING PRIVATE RYAN - 1998
Director: Steven Spielberg
Starring: Tom Hanks, Matt Damon, Ed Burns, Tom Sizemore


#2. APOCALYPSE NOW - 1979
 Director: Francis Ford Coppola
Starring: Martin Sheen, Marlon Brando, Robert Duvall


#3. PATTON
 Director: Franklin D. Schaffner
Starring: George C. Scott, Karl Malden


#4. FULL METAL JACKET - 1987
 Director: Stanley Kubrick
Starring: Matthew Modine, Vincent D'Onofrio, R Lee Emery


#5. THE DEER HUNTER - 1978
 Director: Michael Cimino
Starring: Robert De Niro, Christopher Walken, John Savage, Meryl Streep


#6. WHERE EAGLES DARE - 1969
Director: Brian G. Hutton
Starring: Richard Burton, Clint Eastwood


#7. DEFIANCE - 2008
 Director: Edward Zwick
Starring: Daniel Craig, Liev Schreiber, Jamie Bell

#8. PLATOON - 1986
Director: Oliver Stone
Starring: Charlie Sheen, Tom Berenger, Willem Dafoe


#9. ZULU - 1964
 Director: Cy Endfield
Starring: Michael Caine, Stanley Baker, Jack Hawkins


#10. THE GREAT ESCAPE - 1963
 Director: John Sturges
Starring: Steve McQueen, Richard Attenborough, Charles Bronson

Just about managed to get a great group of films onto this list with some popular choices including Great Escape, Platoon and Zulu. Saving Private Ryan wins here for its thrilling and emotional story arc, another Spielberg film winning a list of mine, though Apocalypse Now wasn't far off. A genre that I do generally like with most of the films well received too. My final genre list (sob) will be the good ole' Western!

CRAIG'S TOP 10 GENRE SERIES - THRILLER

Thrillers are a genre of film that uses suspense, tension, and excitement as the main elements.


#1. JAWS - 1975
Director: Steven Spielberg
Starring: Roy Scheider, Richard Dreyfuss, Robert Shaw


#2. MISERY - 1990
 Director: Rob Reiner
Starring: James Caan, Kathy Bates, Lauren Bacall


#3. BLACK SWAN - 2010
 Director: Darren Aronofsky
Starring: Natalie Portman, Vincent Cassal, Mila Kunis, Barbara Hershey


#4. TAXI DRIVER - 1976
 Director: Martin Scorsese
Starring: Robert De Niro, Jodie Foster, Harvey Kietel, Cybill Shepherd


#5. OLDBOY - 2003
 Director: Chan-wook Park
Starring: Min-sik Choi, Ji-tae Yuh


#6. HARRY BROWN - 2009
 Director: Daniel Barber
Starring: Michael Caine, Emily Mortimer, Plan B


#7. FALLING DOWN - 1993
Director: Joe Schumacher
Starring: Michael Douglas, Robert Duvall, Barbara Hershey


#8. MONA LISA - 1986
Director: Neil Jordan
Starring: Bob Hoskins, Cathy Tyson, Michael Caine


#9. THE NEGOTIATOR - 1998
 Director: F. Gary Gray
Starring: Samuel L Jackson, Kevin Spacey


#10. FATAL ATTRACTION - 1987
 Director: Adrian Lyne
Starring: Michael Douglas, Glenn Close, Anne Archer

Another enthralling list with more exceptional films on there. Though some of these had their own sub-genres, they also demonstrated the 'thrill's required for these type of films that make it one of the best lists. Tough call for no. 1 but Spielberg's classic JAWS just pips Misery to win here but it was a tight list to decide. Classics like Taxi Driver and recent ones like Oldboy and Harry Brown also become worthy of a mention. Next list is WAR.

SUPER 8 (2011) - 3 1/2 STARS

"It Arrives"
 

 

The big films are coming thick and fast and it's good to see Steven Spielberg involved with another summer blockbuster again as he produces the latest sci-fi phenomenon, SUPER 8 alongside the hard-working direction of another movie genius J.J Abrams. A lot of hype surrounded this film when the Super Bowl trailer was released for it last year and from the result of that, it has provided a fascinating if slightly predictable film that certainly entertains in terms of action and storytelling but also surprising its audiences with the solid performances from a relatively unknown cast led by some talented youngsters. However numerous references to both director's films take away the magic a bit as it all becomes a bit too familiar by the end....


In 1979, in the fictional town of Lillian, teenage Joe Lamb (Joel Courtney) is trying to cope with the recent death of his mother, who was killed in a factory accident. Much to the frustration of his father Jackson (Kyle Chandler) who is the town's deputy sheriff, Joe copes by immersing himself in a project lead by his best friend, Charles (Riley Griffiths). That project is a horror film, shot on a SUPER 8 camera, and Charles has enlisted the help of not only Joe, but the rest of his misfit friends, and has surprised everyone by talking the prettiest girl in school Alice (Elle Fanning), into playing the hero's wife. On the night of the first big shoot, the would be filmmakers witness a train crash which leads to mass chaos and carnage. Soon enough the town of Lillian is swarmed by military men, who won't tell anybody what is going on but the kids soon realise that there was something inside the train that the army don't want people to know about. They decide to investigate when people and objects start going missing leading to plenty of intrigue as it becomes clear that there is a monster on the loose. When Alice gets kidnapped by the creature, it is up to Joe and his friends to try and save her before it is too late as the mystery surrounding the beast finally comes to light....



There is no denying the genius of Spielberg who once again delivers another exhilarting sci-fi fairytale that mixes action and drama very well. The movie is adventurous as well as touching and full of strong character driven drama and works best as a coming of age film, despite the clinical effects and thrilling action scenes. The previews did a good job of not giving away too much of the film or revealing the monster to you but there's really no mystery here. All the kids impress as they really act like real teenagers with Courtney impressing as the young male lead while Fanning as Alice, projects such a genuine combination of childlike innocence and ahead of her years maturity, that you can't take her eyes off her whenever she's on screen. She is clearly proving that she's just as good as her older sister Dakota. It's fun watching the kids together while the adults do a good job too particularly Kyle Chandler as Joe's father; perfectly displaying his difficulty in the situation he is in and his lack of communication with his son. The script, written by Abrams, is exciting and skillfully paced. There always seems to be several subplots going on at once, yet there is never a moment of confusion about what is going on. Packing in action, emotion, and commentaries about childhood, Abrams' script never stops short of pure entertainment. The throwbacks to previous Spielberg films from his younger days, give a whole new generation of film buffs a glimpse into what others grew up with in the late 70's and early 80's. However from my perspective, one of THE best visual sequences in film takes place here with the explosive train crash scene which despite being a bit too OTT for some, is simply action-packed and edge-of-your-seat stuff, emphatic and loud, and only worth watching in the cinema. To watch that scene on the telly would only take away the magic of one of this year's most thrilling film scenes.


There is no doubting the film is enthralling but there are flaws and cliches to its story that make it too familiar to the Spielberg films even if the references are poignant. The ending is disappointing especially as it's just too similar to E.T and Close Encounters though on this occasion, the actual alien is nowhere near as sympathetic as E.T, and yet when the ending does happen, there isn't great satisfaction in seeing the alien achieve its destiny after all the terror it has caused to the town. Also as a cowardly film critic who doesn't like jump-scares in films, this is definitely not one to recommend to children under 12. There are several moments which really freak people out whether it be an explosion or the actual alien itself making an appearance plus swearing from the younger characters may put parents off taking their children to watch it. 

VERDICT: Cloverfield meets Close Encounters in this brass but obvious film which is riveting and emotionally beautiful but let down by several cliches and a damp squib of an ending. However its talented and unknown cast plus its mystery plot and stunning effects provide another box-office hit that showcases a possible future partnership between two sci-fi movie geniuses Mr Spielberg and Mr Abrams.

Tuesday, 9 August 2011

CRAIG'S TOP 10 GENRE SERIES - SPORT

“Films that have a sports setting, event, and/or athlete that are central and predominant in the story.


#1. CINDERELLA MAN - 2005
Director: Ron Howard
Starring: Russell Crowe, Renee Zellweger, Paul Giamatti


#2. HOOSIERS - 1986
 Director: David Anspaugh
Starring: Gene Hackman, Dennis Hopper, Barbara Hershey


#3. SEABISCUIT - 2003
 Director: Gary Ross
Starring: Tobey Maguire, Jeff Bridges, Chris Cooper


#4. CHARIOTS OF FIRE - 1981
 Director: Hugh Hudson
Starring: Ben Cross, Ian Charleson, Ian Holm


#5. ROCKY - 1976
 Director: John G. Avildsen
Starring: Sylvester Stallone, Talia Shire, Burgess Meredith



#6. THE DAMNED UNITED - 2009
 Director: Tom Hooper
Starring: Michael Sheen, Timothy Spall, Colm Meaney, Jim Broadbent


#7. THE FIGHTER - 2010
Director: David O. Russell
Starring: Mark Wahlberg, Christian Bale, Amy Adams, Melissa Leo


#8. THE BLIND SIDE - 2009
Director: John Lee Hancock
Starring: Sandra Bullock, Tim McGraw, Quinton Aaron


#9. BREAKING AWAY - 1979
 Director: Peter Yates
Starring: Dennis Christopher, Dennis Quaid, Daniel Stern, Jackie Earl Haley


#10. RAGING BULL - 1980
 Director: Martin Scorsese
Starring: Robert De Niro, Joe Pesci, Cathy Moriarty

Again, this is probably one of the best lists I could make though disappointingly I chose to snub sport comedies like Happy Gilmore and Mike Bassett on the essence that while both films were worthy of recognition on a sports list, I felt it would easier to go for more serious films hence their absence on here. Cinderella Man was a easy winner here, probably one of my top 5 which you'll all be able to see soon, it's a wonderful, triumphant film that deserves more support. Hoosiers is also a worthy film that not many Brits have seen, worth checking out!